All texts, unless otherwise credited are © Vivien Halas, 2020


A personal note from Vivien Halas

In 1991, just after my mother Joy Batchelor died, my father took me aside to show me how much better he thought her drawings for the illustrated book of Animal Farm were than his own. He also asked me if I would mind having my name added to the company letterhead as a director, to replace my mother. I said fine, even though I was 5 months pregnant and living in Paris. When he died, in 1995, I found myself with the company and a considerable mess of litigation over Animal Farm, unsorted and missing films in all kinds of formats, as well as drawings, cels, books and trophies. By 1996, I realised that it was time to come back to England and form The Halas & Batchelor Collection Limited.

It took many years to sort through all the material but I felt it was important to preserve the legacy of work that is a unique and important part of the history of animation. And I have had so much fun meeting so many great animators, artists, technicians and archivists who have helped me preserve, protect and present the work. Without being an animator myself, I have been able to feel part of the 'animation family', for which I am very grateful.

Today most of the collection lives in the BFI, where it is magnificently housed and cared for. However, Halas & Batchelor retain the intellectual copyright to most of the films, with the exception of the early films made for the government and some of the films made for sponsors. 

In 2017, the Halas & Batchelor Collection bought the world rights to Animal Farm (1954) from De Rochemont Films Inc. So although we have been the main distributor world wide since before my time, it is good to be certain that the film is entirely ours, still fully in copyright and not in the public domain.

Short films at Stroud Film Festival

27 February - 28 March

Stroud, Gloucestershire

Halas & Batchelor films will feature at the Stroud Film Festival.

For details, see the Festival website

Animal Farm GCSE Study Day at BFI Southbank

10 March, 10.30am - 3.30pm

BFI Southbank

This event is linked to the AQA and Edexcel GCSE English specifications with the added appeal of using rare and archive materials from the Halas and Batchelor Collection in the BFI Special Collection. This morning will comprise a clip-based lecture looking at the original text by George Orwell and exploring how it was added by John Halas and Joy Batchelor.

Event for teachers and students only. For full details, see the BFI event page.

Automania 2000 in MoMA show

20 May - 7 September

MoMA, New York

The Halas & Batchelor short film will be screened at MoMA as part of an exhibition of the same name. For full information, see the MoMA website.

For Better For Worse

in George Him exhibition

Until 10 March

House of Illustration, London

The Halas & Batchelor short film, 'For Better, For Worse' is currently on display as part of the exhibition 'George Him: A Polish Designer for Mid-Century Britain'. For full details, see the House of Illustration website

Dolly Put the Kettle On and

Ode to Joy at the BAA Awards

12 March

BFI Southbank

The Halas & Batchelor short film and documentary about Joy Batchelor will be on display in the BFI Southbank cafe during the BAA Awards. For details about the award, see the BAA website.

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Other news for 2020

Halas & Batchelor will celebrate 80 years since it was formed in May.


Sky Arts will be broadcasting a new documentary about the studio by Unity House.


In France Malavida will be re-mastering a new celebratory BluRay and DVD of Animal Farm with all kinds of extra bonus material.


We plan to take part in a major new arts festival Insiders/ Outsiders celebrating the contribution to British culture of refugees from Nazi dominated Europe.  

British Animation Women Breaking the Mold

Vivien Halas was delighted to be interviewed for this upcoming documentary about the role of women in the animation industry - a celebration of female talent as well as a look at employment trends. You can view the trailer here.

For Better For Worse (1959)